Rob McConnell's Boss Brass Tickets

Rob McConnell's Boss Brass Ticket Relevant information

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Rob McConnell’s Boss Brass has long been known for its innovative sound that blends elements of jazz, big band, and classical music. Formed in 1968, the group quickly gained a following thanks to their lively performances and ability to integrate various musical genres seamlessly.

The foundation of McConnell’s Boss Brass sound is deeply rooted in the big band tradition. The group features a standard big band lineup with a full complement of horns, rhythm section, and auxiliary percussion instruments. However, it is the way that McConnell and his bandmates approach the arrangements that separates them from other big bands.

One of the most striking elements of the Boss Brass’ sound is the way they incorporate classical music into their repertoire. Through complex arrangements and use of instrumentation, McConnell and his bandmates merge traditional big band sounds with those found in classical music. For example, the group often employs brass instruments such as French horns and flugelhorns, which are more commonly found in classical ensembles.

In addition to instrumentation, the Boss Brass’ use of meter, harmonies, and counterpoint reflects classical composition techniques. This can be heard throughout the group’s catalogue, but is particularly evident on albums like “Brassy and Sassy” and “The Jazz Album.”

Moreover, the Boss Brass’ influences extend beyond the realm of classical music. The group also draws inspiration from bebop and post-bop jazz as well as Latin American music. This diversity of influences is reflected in the wide range of styles represented in their repertoire.

Despite their eclectic sound, the Boss Brass remains firmly rooted in the big band tradition. They pay homage to this tradition by adapting classic swing tunes like “Sing, Sing, Sing” and “Take the 'A' Train,” while also pushing the boundaries of what can be done with a big band.

Many of Rob McConnell’s Boss Brass compositions have become staples of big band repertoires around the world. Songs like “Sweet Georgia Brown” and “Just Friends” have been performed by countless big bands, both amateur and professional. In this way, the Boss Brass has helped keep the big band tradition alive for generations of musicians.

In conclusion, Rob McConnell’s Boss Brass occupies a unique space in the world of music. Their ability to fuse elements of jazz, classical music, and other genres while remaining firmly rooted in the big band tradition has made them one of the most innovative and influential groups of their time.