Chimamanda Ngozi Adichie is a Nigerian author, feminist and a strong advocate for equality. She has written several novels, short stories, and essays that center around themes of identity, culture, race, gender and more. Her work has been critically acclaimed and has been translated into over 30 languages. While most people know her for her literary contributions, not many are aware of her relationship with theater.
Adichie's connection with the theater dates back to her childhood. Growing up in Enugu, Nigeria, she was an avid reader and lover of the performing arts. In an interview with The Guardian UK, Adichie recounts how she would write plays for her siblings and put on productions, which they would showcase to their parents. She also credits her passion for storytelling and developing character arcs to her early exposure to theater.
Fast-forward to adulthood, Adichie's literary works have undoubtedly influenced theater productions. Adichie's coming-of-age novel, "Purple Hibiscus," has been adapted into a stage play by the Royal Shakespeare Company. The play, directed by Nancy Medina, debuted in 2019 at the Theatre Royal in Stratford-upon-Avon, England. It was later transferred to The Royal Court Theatre in London. Adichie describes watching the play as emotional, seeing her characters come to life on stage, and noting that it was an honor for her work to influence other forms of artistic expression.
In addition to "Purple Hibiscus," Adichie's short story, "The Thing Around Your Neck," has also inspired productions on stage. It has been adapted into a play by Nigerian director Tess Akuazoku Areromen, which premiered in Lagos, Nigeria, in 2016. It explores the experiences of Nigerian women in America and the complexities of their identities.
But Adichie's impact on the theater extends beyond having her works adapted into stage productions. She is passionate about encouraging diverse voices in storytelling and raising the level of support for women playwrights. In 2017, Adichie wrote an essay for The Atlantic titled "What Does a Woman Have to Do to Be Heard?" In it, she explores the lack of representation for women in theater and how their work often goes unrecognized in comparison to their male counterparts.
Adichie's advocacy for diversity, especially showcasing African voices, has resulted in her efforts supporting the International Playwriting Competition organized by Africa Centre. The competition is aimed at discovering new African playwrights and giving them a platform to showcase their work on a global stage.
Chimamanda Ngozi Adichie may not be a traditional theater performer or practitioner, but her work continually influences the performing arts. Her passion for change regarding the underrepresentation of minority voices in the theater industry has helped inspire and empower many upcoming playwrights and artists.