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Dole Humphries is an associate professor of theater and performance studies at Kennesaw State University, having previously taught at Emory University and the University of Michigan. As an accomplished scholar and practitioner in the field of theatre, Humphries has devoted his professional career to exploring various aspects surrounding theatrical performances.

Throughout his educational background, Mr. Humphries has explored numerous areas of theater, from acting and playwriting to directing and stage design. He honed his skills through a variety of academic and practical opportunities, including an undergraduate degree in drama from Furman University, a Master of Fine Arts degree in playwriting from Brandeis University, and a Ph.D. in performance studies from Northwestern University.

Humphries also spent time as a practitioner in the theatrical community, gaining valuable personal experience while working with noted professionals in the field. He has had the opportunity to collaborate with directors Peter Sellars and Richard Foreman, leading to production work at notable theaters such as the Brooklyn Academy of Music and The Public Theater.

As a scholar in theatre and performance studies, Dole Humphries has written extensively on topics related to theatrical art. He has made significant contributions to journals such as Text and Performance Quarterly, Performance Research, and Theatre Journal. Two specific areas that he has published on include the role of technology in live performances and issues with theatre censorship.

While much of his research concerns broad theoretical concepts, Humphries also remains grounded in practical applications. He has developed courses in theatre history, acting, directing, and playwriting, among others. His commitment to teaching comes across in both his publications and classroom interactions. Many of Humphries' former students have cited him as being influential and encouraging in their own careers as actors, directors, or writers.

In conclusion, Dole Humphries is a prominent figure in the theatrical world, contributing significantly through scholarship, practice, and education. His expertise, shared through his writing and instruction, further enriches the understanding and appreciation of theater as a performance art.

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