Eastside Westside Tickets

Eastside and Westside are two geographical regions that are very much present in the theater scene of any city. These regions usually represent different cultures, socio-economic backgrounds, and ideologies. They also have their unique set of traditions, beliefs, and practices which can be seen in their theater productions.

The Eastside and Westside divide can be seen in many aspects of life, from food to music and art, and especially in theater. For a long time, Broadway has been the epicenter of theater productions in New York City, located on the Westside. Westside theaters attract a more affluent crowd who can afford the high ticket prices. This means the producers of these shows cater to the preferences of this demographic, with lavish sets, elaborate costumes, and all-star casts.

However, a shift has occurred recently, as more and more audiences come from across the city, and several theater venues east of Broadway have emerged to serve this demand from non-Westside audiences. The Eastside neighborhoods are known for being more urban and gritty, and their theater reflects this. Eastern theaters generally offer more experimental pieces and support new work by emerging playwrights from diverse backgrounds. They offer more affordable tickets and accessible programming, making art more accessible to communities who may not otherwise have the funds or inclination to experience it.

Take the example of Public Theater in Manhattan's Lower East Side. Located east of Broadway, it is one of the most influential theaters in America and fosters greater diversity and inclusion across all aspects of theater production. Their programming leans towards the political and offers a platform for performances that reflect current issues facing society, making an important contribution to the dialogues around social change.

The same trend can be seen in other cities like Atlanta, Los Angeles, San Francisco, and Chicago. In each of these cities, there are theaters located in historically working-class or immigrant neighborhoods that offer alternative programming that is more inclusive and reflective of their local community.

In conclusion, the Eastside/Westside divide in theater reflects the socio-economic divides present in modern cities. However, theater progress is being made towards the greater inclusion and accessibility of the art form to diverse communities and populations. This can only be a good thing for the future of theater, as it becomes more reflective of the needs, experiences, and aspirations of society at large.