ECM + Generation 2012 Tickets

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Music

ECM Records is a German record label that was founded in 1969 by Manfred Eicher. The label has been known for its commitment to recording works in the jazz and classical genres, as well as other forms of experimental music. In the early 2010s, ECM Records released several recordings by a group of young classical musicians who had all been born in or around the year 1990. These musicians were collectively known as Generation 2012, and their music was seen as a response to the challenges and opportunities facing classical music in the 21st century.

Generation 2012 represented a new wave of classical musicians who were comfortable with technology and had grown up in a world that was more globalized and interconnected than ever before. They were also keenly aware of the fact that classical music had been struggling to maintain its relevance in a world that was increasingly dominated by popular culture. Many of these musicians saw ECM Records as a way to bridge the gap between classical music and other genres of music, such as jazz, folk, and world music.

One of the most prominent members of Generation 2012 was the British pianist Kit Armstrong. Armstrong had already established himself as a prodigious talent by the age of eight, and had gone on to study at major conservatories in both Europe and the United States. When he signed with ECM Records in 2011, he was only 19 years old. His first album with the label, a solo piano recital that featured works by Bach, Liszt, and Ligeti, was widely praised for its technical mastery and interpretive originality.

Other members of Generation 2012 included the German clarinetist Jörg Widmann, the American violinist Caroline Goulding, and the Austrian pianist Markus Hinterhäuser. Each of these musicians brought their own unique sensibilities to the classical music repertoire, and all of them were committed to finding new ways to communicate the emotional and intellectual power of classical music to a wider audience.

At its best, the work of Generation 2012 could be seen as a continuation of the ECM Records tradition of fostering innovative and boundary-pushing musicians in all genres of music. By embracing technology and globalization, these young classical musicians were demonstrating that classical music still had the potential to speak to contemporary audiences in a profound and meaningful way. Whether or not they succeeded in capturing the public's imagination will ultimately be a matter of debate, but there is no denying the talent and ambition of this remarkable group of musicians.

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