La Doble Moral Tickets

La doble moral, or double standard, is a phenomenon that can be found in various aspects of society, including the theatrical world. This term refers to the judgment and treatment of two different groups of people in a seemingly unfair way. In theater, this can manifest itself in various ways, such as gender roles, casting decisions, and scriptwriting.

Gender Roles

One example of la doble moral in theater can be seen in the portrayal of gender roles. Historically, women have been confined to certain types of roles, such as the romantic interest, the damsel in distress, or the comic relief. Meanwhile, men have typically been cast in more prestigious roles, like the lead or the hero.

This has led to representations of masculinity and femininity that are often limiting and stereotypical. While there have been strides made in recent years to showcase more diverse perspectives and stories, there is still a long way to go in breaking down these traditional gender norms and providing opportunities for all actors regardless of their gender identity.

Casting Decisions

Another area where la doble moral can be found in theater is in casting decisions. Often, producers and directors will prioritize hiring white, cisgender, able-bodied actors for certain roles, while marginalizing actors from other backgrounds.

This reinforces systemic biases and discrimination in the industry and perpetuates the notion that only people from certain demographics can be successful in the entertainment world. Additionally, it further limits the range of stories that are being told on stage.

Scriptwriting

Finally, la doble moral can also be seen in theater scriptwriting. For example, male characters are often portrayed as strong, assertive, and heroic, while female characters are portrayed as passive, emotional, and dependent.

Similarly, plays that discuss social issues such as race or sexuality often focus on the struggles of cisgender, heterosexual characters, while neglecting to dive deeper into the experiences of marginalized groups. This limits representation and reinforces the idea that only certain stories are worth telling.

Conclusion

La doble moral in theater is a pervasive issue that limits diversity and inclusivity on stage. By breaking down traditional gender norms, broadening casting decisions, and creating space for underrepresented narratives and individuals, theater can become a platform for marginalized voices to be heard and celebrated. As audiences, we have a responsibility to support this change and advocate for more diverse and equitable representations in the theatrical world.