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On November 2, 2018, the Munk Debates hosted a discussion on former President Barack Obama's foreign policy in relation to theater. The debate featured panelists Lawrence Wright, a Pulitzer Prize-winning author and playwright, and Bret Stephens, a New York Times columnist and Pulitzer Prize-winning journalist.

The discussion centered around the role of theater in shaping foreign policy and how it can be used as a tool for diplomacy or propaganda. Wright argued that theater, particularly American theater, has historically been used as a means of promoting democracy and freedom, citing examples such as the plays of Arthur Miller and Tony Kushner. He also pointed out the success of cultural exchanges, in which theater productions are brought to foreign countries as a means of fostering understanding and cooperation.

Stephens, however, emphasized the potential dangers of using theater for propaganda purposes, particularly in authoritarian regimes. He cited examples such as the North Korean government's use of theater to promote their ideology and maintain control over their population.

The debate then shifted to discussing Obama's foreign policy in relation to theater. Wright praised Obama for his efforts to promote cultural exchange programs, such as the Next Level initiative which brought hip-hop artists to foreign countries as a means of cultural diplomacy. He also commended Obama's decision to reopen diplomatic ties with Cuba, allowing for greater cultural exchange between the two countries.

Stephens, however, criticized Obama's foreign policy towards the Middle East and specifically his approach to the Syrian conflict. He argued that Obama's reluctance to intervene more forcefully in the conflict allowed for the rise of extremist groups like ISIS, and that his calls for peace fell short without concrete action.

In concluding the debate, both panelists emphasized the importance of utilizing theater and cultural exchange as a means of promoting understanding and cooperation between countries. However, they acknowledged that the use of theater could also be dangerous if in the wrong hands, and that effective foreign policy requires both strong rhetoric and concrete action.

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