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Pierre Boulez was a French composer and conductor who made a significant contribution to classical music in the 20th century. He was known for his avant-garde compositions, innovative use of technology in music, and his advocacy for contemporary music.

Boulez was born in 1925 in Montbrison, France. He began his musical education at an early age and was fascinated by the works of Debussy and Stravinsky. He studied at the Paris Conservatory and later joined the teaching staff there. In the 1950s, he started working as a conductor and eventually became the music director of the New York Philharmonic. He remained an active composer until his death in 2016.

Boulez is often associated with the modernist movement in music. His music explored new sounds, structures, and techniques that challenged traditional forms of composition. Some of his notable compositions include the "Notations," a series of orchestral pieces, and "Le Marteau sans Maître," a work for chamber ensemble that uses the technique of integral serialism.

Despite his avant-garde approach to composition, Boulez maintained a deep respect for the classical repertoire. He believed that classical music should not be preserved as a museum piece but rather be constantly reinterpreted and reimagined by contemporary artists. To this end, he founded the Ensemble Intercontemporain in 1976, which focused on performing contemporary classical music.

Boulez's passion for innovation extended beyond composition and performance. He was also interested in the integration of technology in music. He collaborated with the IRCAM (Institut de Recherche et Coordination Acoustique/Musique) in Paris to develop software for computer-assisted music composition.

Boulez's impact on classical music cannot be overstated. His contributions to modernist composition and contemporary classical music continue to inspire musicians and composers around the world. His legacy is a testament to the power of innovation and creativity in music.

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