Pump Me Up: D.C. Subculture of The 1980s Tickets

Pump Me Up: D.C. Subculture of The 1980s Ticket Details

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The 1980s in Washington, D.C. saw the birth of a subculture that was centered around punk music and alternative fashion. This subculture, known as Pump Me Up, was a rebellion against the mainstream and an expression of individuality.

One of the ways that Pump Me Up manifested itself was through theater. While the punk scene was mainly focused on music, theatrical performances were also a part of the movement. Theaters such as the Black Repertory Company, D.C. Space, and Kilimanjaro showcased shows that were raw, experimental, and unconventional.

One of the most notable productions during this time was "The Gospel at Colonus" by Lee Breuer and Bob Telson. It was a mixture of gospel music and Greek tragedy that was performed at the Arena Stage in 1984. The show was a huge success and won numerous awards, including a Tony Award for Best Musical.

Another influential group at the time was the African Continuum Theatre Company. Founded in 1989, it was aimed at promoting African American playwrights and performers. Their productions often dealt with issues facing black communities, such as police brutality and poverty.

Theater was not only a form of entertainment but also a means of expressing political views. Many of the productions during the Pump Me Up era tackled issues such as race, class, and gender. By bringing these topics to the forefront, they opened up discussions and promoted social change.

While the Pump Me Up movement may have faded away, its influence on theater can still be seen today. The spirit of experimentation and social commentary lives on in many contemporary productions, just as it did in the 1980s. By pushing boundaries and challenging societal norms, Pump Me Up paved the way for future generations of artists to do the same.