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Richard Strauss is a German composer of the late Romantic and early modern eras, known for his masterful orchestral writing, rich harmonic language, and innovative use of harmonies and textures. Although his music is generally categorized as being in the Romantic canon, his work shows influence from both Classical and contemporary styles.

Strauss was born in Munich on June 11, 1864, into a musical family – his father was the principal horn player at the Munich Court Orchestra. He received his first piano lessons from his mother and began composing at the age of six. His formal musical training consisted mainly of private lessons with distinguished professors, including Heinrich von Herzogenberg and Ludwig Thuille.

Strauss's early works reflect the influence of the Romantic composers of his time, particularly Wagner and Brahms. However, his first major success was with his tone poem "Don Juan" (1889), which demonstrated his increasing use of chromaticism and his facility with orchestration. Other tone poems followed, such as "Till Eulenspiegel's Merry Pranks" (1895) and "Also sprach Zarathustra" (1896), the last of which is perhaps best known for its use in Stanley Kubrick's film "2001: A Space Odyssey".

Despite his association with the Romantic era, Strauss also maintained ties to the Classical tradition. He was the conductor of the Berlin State Opera from 1908-1910 and during this time, he championed Mozart's operas, conducting productions of "Don Giovanni", "The Marriage of Figaro", and "The Magic Flute". He also composed several works that drew inspiration from the Classical period, such as his "Sinfonia Domestica" (1903) and "Symphonia Domestica" (1925), which depict scenes from everyday family life in a style reminiscent of Haydn and Beethoven.

Strauss's music continued to evolve throughout his career, and he continued to experiment with tonality and instrumentation. He was a master of orchestration, using colorful combinations of instruments to create unique textures. His final opera, "Capriccio" (1942), explores the relationship between words and music, reflecting his ongoing quest for new forms of expression.

In conclusion, Richard Strauss was a composer who drew on both Romantic and Classical traditions in his music. His early works reflect the influence of the Romantic composers of his time, but he also maintained ties to the Classical tradition throughout his career. Strauss was a master of orchestration, using colorful combinations of instruments to create unique textures. His legacy continues to influence contemporary composers and performers today.

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