The Music of The Royal Tenenbaums Tickets

Music

The music of The Royal Tenenbaums, directed by Wes Anderson and released in 2001, is a unique and remarkable amalgamation of classical music styles and contemporary songs. Anderson has always incorporated his love for classical music in his films and this one is no exception. However, what sets this film’s soundtrack apart is its incorporation of pop music with the era-defining Beatles’ hits being played throughout the film.

One of the most notable musical elements of the film is the consistent use of classical music. The opening track, “111 Archer Avenue” by Mark Mothersbaugh, sets the pace for the movie with hauntingly beautiful tones that give us a glimpse of the sad, melancholic tale about to unfold. The film then continues to feature a medley of compositions from Ludwig van Beethoven, Johann Sebastian Bach, and Wolfgang Amadeus Mozart primarily, which adds a distinct layer of classical richness to the narrative.

The use of classical music was not just used to cater to a niche audience or to add depth but also served a very specific purpose. It aids in highlighting the eccentricity and refined tastes of the Tenenbaums family. With their wealth and intellectual skills, the characters are often seen listening to classical music while they go about their day-to-day lives. The contrasting yet fitting placement of Beethoven’s “Ode to Joy” as Richie (Luke Wilson) answers his brother Chas’s (Ben Stiller) phone call to New York, showing that both brothers might be different but share a similar underlying emotional frailty.

While classical music remakes up much of the soundtrack, the inclusion of popular music such as Nico’s “These Days”, gives credence to the idea that the film is truly an eclectic mix of different musical influences. This creates a rich tapestry of sound that enhances the viewer's experience and adds depth and substance to the visuals presented on screen. Another song that stands out is the Beatles’ “Hey Jude”. The song is played twice throughout the movie - once, as young Margot's (Gwyneth Paltrow) tentatively steps off the bus and meets her eventual husband, Richie, and again during the film's defining moment, as the Tenenbaums reunite and walk together united under the dark presence of their father, Royal (Gene Hackman).

Perhaps one of the most poignant moments in the film for classical music enthusiasts, especially those who love Bach, comes with the playing of the concerto from Harpsichord in D Minor as Chas runs to save his children at the end of the plot. The beautifully representative piece accompanies the action with aptly timed intervals that add to the tension being built towards the climax.

In conclusion, The Royal Tenenbaums' soundtrack stands out due to the innovative mix of classical music with contemporary pop influences, creating a truly unique sound. While the use of classical music effectively highlights the characters' personalities and set the mood for each scene, the film's excellent incorporation of popular music adds depth and authenticity to the narrative. Anderson's attention to detail regarding the music choices shows not only in how the music fits the story but also how it affects viewers' emotions. This trademark characteristic has solidified his place as one of the modern era's most genuinely creative directors.