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William Kentridge is a South African artist whose work spans across many different mediums, including drawing, painting, sculpture, animation, and film. However, he has also had a unique relationship with classical vocal music, which has influenced his work in important ways.

Kentridge was born in Johannesburg, South Africa, in 1955, during the height of Apartheid. He grew up in a politically charged atmosphere, and his work often reflects his engagement with the social and political issues of his time. However, he was also heavily influenced by his parents, who were both lawyers and had a deep appreciation for classical music.

As a child, Kentridge was surrounded by classical music, and he soon developed a love for opera and vocal music. He would often sit in on his mother’s singing lessons, and he eventually began taking voice lessons himself. While he never pursued a career as a professional singer, Kentridge has always maintained a deep interest in vocal music, and it has been an important source of inspiration for his art.

One of the most significant ways in which Kentridge has incorporated classical vocal music into his work is through his use of opera as a thematic and visual motif. His animated films, drawings, and installations often evoke the grandeur and drama of traditional opera, using its archetypes and conventions to explore contemporary social and political themes.

In one of his most famous works, the multi-channel video installation “The Refusal of Time” (2012), Kentridge collaborated with composer Philip Miller and choreographer Dada Masilo to create a piece that drew on the operatic tradition while exploring themes of colonialism, time-keeping, and the human body. The work features projections of Kentridge’s signature charcoal drawings, as well as live performances of vocal music, contemporary dance, and spoken text.

Throughout his career, Kentridge has also worked closely with musicians and composers, often commissioning new works or collaborating on existing ones. He has worked with a number of prominent musicians, including the composer and pianist Kyle Shepherd, who created a score for Kentridge’s 2017 solo exhibition at London’s Whitechapel Gallery.

In many ways, Kentridge’s engagement with classical vocal music reflects his larger artistic approach, which values intellectual rigor and an engagement with the historical and cultural contexts that shape our experience of art. By drawing on the themes and conventions of opera, he is able to create works that are both visually striking and deeply reflective, exploring complex social and political issues through the lens of one of the most vibrant and enduring artistic traditions.

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